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he was able to create notable woodblock prints from a young age
trasformando la rievocazione festiva in una scena diplomatica idealizzata e inserendo i coreani in una posizione di rispetto coerente con la visione giapponese dell’epoca
This work was often done at night to speed up preparations for winter
Fuji stands out
emphasize the connection between the landscape
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 79, 1836-1847 vasi he was able to createStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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