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Mourlot IV
such as the plate Honjo Tatekawa from the series Thirty-Six Views of Mount Fuji
the artist's signature and seal
The contrast between the rigidity of the wooden architecture and the concentrated energy of human gestures enhances the perception of shared effort and the coordination necessary for the work
In all these images
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 10, 1834 vasi Mourlot IVBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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